Brepols Online Books Medieval Miscellanea Collection 2021 - bob2021mime
Collection Contents
2 results
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Spoliation as Translation
show More to view fulltext, buy and share links for:Spoliation as Translation show Less to hide fulltext, buy and share links for: Spoliation as TranslationThe articles gathered in this special issue of Convivium offer a variety of perspectives - history of medieval art, architecture, literary studies - that explore the relations between spoliation and translation, with a particular focus on the interconnections and similarities between material/artistic and textual/literary cultures. Building on current research in spolia and translation studies, these contributions respond to the increasing interest in and popularity of these two topics in recent scholarship. A conceptual point of departure is that reuse and translation represent two crucial processes facilitating cultural dialogues and exchanges across time and space. Material and textual spolia fascinate us, because they provide various means and levels of engagement with the past with a tangible form, sometimes of an ambivalent nature. Objects, artefacts, buildings, and texts have been subject to constant reworkings, through which they have been interpreted and translated: old stories gain new significance in new contexts, just as old objects gain new meanings in new settings. The aim of this collection is to foster a better understanding of such processes and, at the same time, of the history of the medieval worlds of the Eastern Mediterranean, which is marked by constant cross-cultural encounters and interactions.
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Studying the Arts in Late Medieval Bohemia
show More to view fulltext, buy and share links for:Studying the Arts in Late Medieval Bohemia show Less to hide fulltext, buy and share links for: Studying the Arts in Late Medieval BohemiaFrom its foundation in 1348, the University of Prague attracted students as well as scholars from all over Europe to its Faculty of Arts, where they studied and taught the subjects of the curriculum in all their variety. Nevertheless, our knowledge about these Prague scholars and their thought is still rather limited. In an effort to fill this gap, this volume is the first devoted entirely to the production, reception, and transmission of knowledge in the Arts Faculty of the medieval University of Prague, covering topics in astronomy, linguistics, logic, metaphysics, meteorology, and optics. It also links Prague's Faculty of Arts to several others at universities across Europe and it examines the study of the arts in Bohemia outside the university, including the Jewish milieu. The book contributes to advancing the status quaestionis in various ways, mainly through the analysis of less well-known and even unpublished texts, critical editions of some of which are printed here for the first time.
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