Brepols Online Books Medieval Miscellanea Collection 2024 - bob2024mime

Scriptor, Cantor & Notator is an innovative multi-author project dealing with the complex interconnections between learning, writing and performing chant in the Middle Ages. A number of different methodological approaches have been employed, with the aim of beginning to understand the phenomenon of chant transmission over a large geographical area, linking and contrasting modern definitions of East and West. Thus, in spite of this wide geographical spread, and the consequent variety of rites, languages and musical styles involved, the common thread of parallels and similarities between various chant repertoires arising from the need to fix oral repertories in a written form, and the challenges involved in so doing, are what bring this wide variety of repertoires and approaches together. This multi-centric multi-disciplinary approach will encourage scholars working in these areas to consider their work as part of a much larger geographical and historical picture, and thus reveal to reader and listener more, and far richer, patterns of connections and developments than might otherwise have been suspected.

Scriptor, Cantor & Notator is published in two books. The first, The Materiality of Sound in Chant Manuscripts in the West, brings together articles on several different families of early music scripts in the Latin West and provides a vividly diverse picture of some of the best current scholarship on the various types of ancient and medieval musical notation.

Dissent, polemics and rivalry have always been at the centre of intellectual development. The scholarly Streitkultur was given a fresh impetus by the newly founded universities in the High Middle Ages and later turned into a quintessential part of early modern intellectual life, with the emergence of the Protestant Reformation creating a new momentum. It was not only mirrored in various well-known intellectual disputations and controversies, but also embodied in numerous literary genres and non-literary modes of expression, as well as discursive or political strategies. Moreover, the harsh debates notwithstanding, consensus was also actively searched for, both within particular disciplines and within society as a whole.

This volume collects thirteen contributions offering a very rich variety of topics with regard to the negotiation of disagreements from the twelfth till the eighteenth centuries. They reflect inter alia upon the rules and conventions of the intellectual debate, upon the media used to negotiate dissent, as well as upon the role of formal institutions created to judge and decide in cases of dissent. The contributions are offered by scholars from fields as diverse as history of literature, political history, history of philosophy, history of Church and theology, and legal history.

Music in the Carolingian World stems from a conference honoring the career and wide-ranging research of Prof. Charles M. Atkinson, leading scholar in early-medieval studies and author of the award-winning monograph, The Critical Nexus (2010). The volume brings together seventeen essays to explore the broad ramifications of music as an arena of study in early-medieval culture; taken together, they manifest the status of music not just as a field of research, but as a metadiscipline that embraces numerous fields and specializations in medieval studies, including philosophy, theology, literature, philology, paleography, liturgy, education, political and institutional history, as well as the practice, theory, and transmission of chant and related musical repertories. The essays are grouped into the four thematic categories of Verbum, Numerus, Ars, and Cultus, bookended by three keynote essays that touch in different ways on the theme of metadisciplinarity.