BOB2024MIOT

‘Rewriting’ as the reworking of narrative material based on conscious strategies of composition plays a significant role in much of the Latin poetry of Late Antiquity. This book, resulting from the conference Riscritture poetiche nell’Occidente latino tra tarda antichità e medioevo, which was held on 9-11 May 2022 at the Department of Human Sciences (DSU) of the University of L’Aquila, looks at the range of practices and purposes that inform this procedure, with particular regard to the processes of transcodification enacted – in different historical and cultural contexts – by the recasting of authoritative prose texts into a classicising poetic idiom. The contributions present a multifaceted approach to rewriting, cover a variety of authors, genres, and texts, and cast a glance also at medieval Latin literature. In short, the essays in this collection, by reflecting on the interpretative contribution of the critical category of ‘rewriting’, not only add further tesserae to the mosaic of literary studies on Late Latinity, they also invite to grasp the difference between secular and Christian rewritings.

The rich literary production of Gaza in the fifth and sixth centuries AD has received quite some attention in recent scholarship. Yet, the figure and work of Procopius the Sophist, as author of catenae, compiler, and epitomist of patristic exegesis, have remained relatively unknown and under-explored. This collection of essays delves deeply into Procopius’ exegetical work. At the outset, a strong case is made that one should distinguish between the famous orator of Gaza and "the Christian sophist" Procopius. A first large section of the book deals with the Genesis Epitome that is studied from three different angles: the limited and as a rule critical use of Origen and his tradition; the importance given to Theodore of Mopsuestia’s exegesis of Gen 1–3; and the relations between Procopius’ Epitome and John Philoponus’ De opificio mundi. The section on the Exodus Epitome studies the specificity of Procopius’ work in comparison to the Catena on Exodus, the way the material is organised, and the literary genre of the work. The volume further contains contributions on the connections between the Scholia on Kings attributed to Procopius, the type B catena, and the so-called "Catena Lipsiensis"; the relations between Procopius’ Catena on Proverbs and other catenae on this book; the sources of the Isaiah Epitome that show a diligent and able compiler at work; and the comparison between the characteristic features of Procopius’ Epitomes and those of the Catena III on Obadiah. As a whole, it offers a wide perspective and significantly advances research on, and our knowledge of, Procopius the Christian sophist, a still somewhat mysterious early Byzantine author and scholar.

Pietro Metastasio (1698–1782) can be considered as the most renowned operatic dramatist of eighteenth-century Europe. His drammi per musica travelled all around Europe – and beyond – throughout the eighteenth century and the early years of the nineteenth. Courts, palaces, and public theatres were eager to perform his dramas, and so hundreds of composers set them to music, sometimes on more than one occasion.

This volume lets the surviving textual and musical traces speak for themselves. As a catalogue of the sources of five of Metastasio’s most successful titles – Didone abbandonata, Alessandro nell’Indie, Artaserse, Adriano in Siria, and Demofoonte –, it offers their most complete chronology up to date, as well as a detailed presentation of the printers and the theatres in which these texts became alive. In the case of the majority of these works, thousands of manuscripts and copies attest to more than one hundred complete musical versions and over two hundred and fifty productions. They may thus rightly be considered witnesses to the operatic fever that took Europe by storm in the Enlightenment.