Skip to content
1882
Volume 23, Issue 2
  • ISSN: 1330-7274
  • E-ISSN: 1848-9702

Abstract

Abstract

From the 12th century, large crosses in « X » are painted or carved on the vault of churches’ choir, or integrated into mosaics of pavement, as in Saint-Bertin of Saint-Omer, Saint-André of Rosans and Ganagobie. As projection of the vault on the ground, they take part in the organization of the liturgical space. In our opinion, they also serve to legitimize the laic authority, principal sponsor of these settings.

Loading

Article metrics loading...

/content/journals/10.1484/J.HAM.5.113765
2017-07-01
2025-12-07

Metrics

Loading full text...

Full text loading...

/content/journals/10.1484/J.HAM.5.113765
Loading
  • Article Type: Research Article
This is a required field.
Please enter a valid email address.
Approval was a Success
Invalid data
An error occurred.
Approval was partially successful, following selected items could not be processed due to error:
Please enter a valid_number test
aHR0cHM6Ly93d3cuYnJlcG9sc29ubGluZS5uZXQv