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1882
Volume 4, Issue 1
  • ISSN: 1846-8551
  • E-ISSN: 2507-041X

Abstract

Abstract

Libeskind’s Jewish Museum Berlin (1988-1999) and Eisenman’s Memorial to the Murdered Jews of Europe (1997-2004) strive to “tell a story” by means of architecture – a story that cannot be told, for it is “unique and inexplicable”, that “defies representation”. Therefore, they created two places where the emotional content of this story can be re-experienced directly and the memory of it perpetuated forever. The story of the Holocaust calls for a special kind of monument, a “counter-monument”, which, however, also carries a specific political significance.

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/content/journals/10.1484/J.IKON.5.100703
2011-01-01
2025-12-07

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  • Article Type: Research Article
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