Skip to content
1882
Volume 47, Issue 3
  • ISSN: 0083-5897
  • E-ISSN: 2031-0234

Abstract

Abstract

The poems of troubadour Jaufre Rudel (fl. 1120-1147) took exception to the earlier songs of Guilhem IX; they burlesqued the commonplace associations of springtime and love and of love with joy; they took issue with monks; they even critiqued themselves. In short, as this article argues, Jaufre - or, at least, the persona invoked by his poems - was a contrarian, disposed to refute, deny, and oppose his elders and his contemporaries. But he did so subtly, ambiguously, often using the very vocabulary of those from whom he dissented.

Loading

Article metrics loading...

/content/journals/10.1484/J.VIATOR.5.112355
2016-09-01
2025-12-07

Metrics

Loading full text...

Full text loading...

/content/journals/10.1484/J.VIATOR.5.112355
Loading
  • Article Type: Research Article
This is a required field.
Please enter a valid email address.
Approval was a Success
Invalid data
An error occurred.
Approval was partially successful, following selected items could not be processed due to error:
Please enter a valid_number test
aHR0cHM6Ly93d3cuYnJlcG9sc29ubGluZS5uZXQv