oa Nicola Sabbattini, témoin d’une (r)évolution scénographique européenne. La Pratique pour fabriquer les scènes et machines de théâtre (1637/1638)
- By: Anthony Saudrais1
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View Affiliations Hide Affiliations1 Université de Rennes 2 / Université de [email protected] ORCID 0000-0001-9619-8135
- Publication: Les (r)évolutions dans le théâtre européen (xvii e-xviii e siècles) , pp 11-28
- Publisher: Brepols
- Publication Date: January 2025
- DOI: https://doi.org/10.1484/M.ECCS-EB.5.149915
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[Nicola Sabbattini, Witness of an European Scenographic (R)evolution: Practica di fabricar scene e machine ne’teatri (1637/1638)]
The paper aims to situate Sabbattini’s treatise Pratica (1637/1638) within the history of European techniques, in particular in the field of theatrical machinery. This publication, unique in the editorial world, reveals secrets that have hitherto been little known and only to a few people. Sabbattini, far from being totally obsolete, explains numerous theatrical mechanisms and techniques that date back to antiquity while talking about modern devices and designs. Nevertheless, his treatise gradually became obsolete from the 1640s, and in particular after the scenographic and technical revolution inspired by the Italian machinist Giacomo Torelli.
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