Caleb D’Anvers [pseudonym used jointly by the contributors to The Craftsman, Nicholas Amhurst, Bolingbroke, and William Pulteney], Corruption in the British Government under Walpole, and Its Opponents, detail including the frontispiece to vol. 2 of The Craftsman. ‘A harlequin of state’, Walpole as harlequin sells the nation to the devil. Copy at Wellcome Collection, reproduced under Attribution 4.0 International (cc by 4.0) licence.
Figure 9a.Caleb D’Anvers [pseudonym used jointly by the contributors to The Craftsman, Nicholas Amhurst, Bolingbroke, and William Pulteney], Corruption in the British Government under Walpole, and Its Opponents, detail including the frontispiece to vol. 2 of The Craftsman. ‘A harlequin of state’, Walpole as harlequin sells the nation to the devil. Copy at Wellcome Collection, reproduced under Attribution 4.0 International (cc by 4.0) licence.
Caleb D’Anvers, Corruption in the British Government under Walpole, and Its Opponents, detail including the frontispiece to vol. 3 of The Craftsman. ‘Hail typographic art’: a compositor composing movable type in a composing stick to confound tyranny through the freedom of the press. Copy at Wellcome Collection, reproduced under Attribution 4.0 International (cc by 4.0) licence.
Figure 9b.Caleb D’Anvers, Corruption in the British Government under Walpole, and Its Opponents, detail including the frontispiece to vol. 3 of The Craftsman. ‘Hail typographic art’: a compositor composing movable type in a composing stick to confound tyranny through the freedom of the press. Copy at Wellcome Collection, reproduced under Attribution 4.0 International (cc by 4.0) licence.