Brepols

In recent years a lively debate has developed on the features of Byzantine historiography. The increasingly dominant tendency today is to treat historical texts more as pleasant literary narratives than as systematic historical accounts of the political and military history of Byzantium. The present study aims to contribute to this debate by revisiting the voices of the Byzantine authors themselves, focusing on the extant historical prefaces from the Early, Middle, and Late Byzantine eras. This seemed timely, more than a century after the publication of Ηeinrich Lieberich’s fundamental work on Byzantine historiographical proems.

Obviously, not all prefaces are of equal interest: some serve a purely conventional function, while others are composed more thoughtfully and merit more careful attention. The book’s goal is twofold: firstly, to outline the details of the prefatory function of the Byzantine historiographical proems as microtexts; secondly, to detect and evaluate the theoretical views expressed by the authors of each period regarding the genre of Byzantine historiography. This will expand our knowledge of how the Byzantines wrote (praxis) and thought (culture) about historiography.

The Glossa in Apocalypsin (Cambridge Gloss on the Apocalypse) is a recently-discovered anonymous Hiberno-Latin (that is, authored by an Irish cleric writing in Latin) commentary on the Apocalypse of John found in a tenth-century manuscript at Cambridge University Library. This gloss is written in a similar style to other Irish-authored exegetical texts of the same period. That is, the author proceeds verse by verse through the entire Apocalypse, citing short phrases or even single words of the biblical text, followed by brief explanations that serve to clarify meaning and are often moral or allegorical in nature, as well as offering alternative interpretations of a given passage. The text has a marked dependence on the hermeneutical method of the fourth-century Donatist Tyconius as laid out in his Liber Regularum (Book of Rules), and applied in his Exposition on the Apocalypse. The Cambridge Gloss promotes an ecclesiological and spiritual interpretation of the Apocalypse, muting speculation about an imminent endtime scenario. The gloss contains numerous references to heretics, emphasises the hierarchy and the privileged role of teachers within the church, and likely dates from the eighth century, the ‘Northumbrian Golden Age’, exemplified by the works of Bede the Venerable and Alcuin of York. This English translation (accompanied by numerous notes) is intended to give readers an insight into understanding the viewpoint that medieval exegetes held in explaining the Apocalypse of John.

The source text of this volume appeared in Corpus Christianorum Series Latina as Glossa in Apocalypsin e codice Bibliothecae Vniuersitatis Cantabrigiensis Dd.X.16 (CCSL 108G). References to the corresponding pages of the Corpus Christianorum edition are provided in the margins of this translation.

This book presents samples of experimental methods for reading medieval Latin texts that have scarcely been adopted, if at all, by mainstream research in the field. It contributes to the discovery of some underestimated aspects of early medieval (especially Carolingian) Latin literature: intertextuality as intercultural relationship (in Biblical epic), intermediality (text-image-sound connections), interdisciplinarity (science, religion, and poetry), hermeneutics (Biblical exegesis as poetry-engine), post-colonial reading (medieval Latin as a second language), socio-literary approaches (monastic epigraphs as witnesses of everyday life, writing as a status symbol of an intellectual class and a whole civilization). It also discusses quantitative methods, which are explored in more detail in a second volume, Digital Philology and Quantitative Criticism of Medieval Literature: Unconventional Approaches to Medieval Latin Literature II): http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503588018-1.

The book thus seeks to encourage scholarly interest in obscure or less familiar elements of the Carolingian literary renewal, interpreted here as more a laboratory of innovations than a revival of traditional patterns.

This book explores the legend of Adam’s Contract with Satan that was made after the expulsion from the Garden of Eden.This legend was current in the Eastern Orthodox churches of SE Europe as well as in the Caucasus. Unknown forms of the legend have been found in two traditions, the Romanian and the Armenian, and are investigated here. Notably this legend has found its way into folk stories and sometimes into folk music, showing how widely it was accepted and distributed. This legend also inspired images in both traditions. In Romania the most striking illustrations are to be found in Bukovina province, in frescos on the famous painted churches of that region, as well as in manuscripts. In Armenia features of this story are incorporated into the iconography of the Baptism of Christ in the River Jordan.

The Christian Topography of Early Islamic Jerusalem: The Evidence of Willibald of Eichstätt (700-787 CE) is an analysis of Willibald’s description of Jerusalem for the year 724-6, as contained in Hugeburc’s Vita Willibaldi, a text composed in Heidenheim (Germany) in 778. The work makes a fresh examination of the Christian landscape of Early Islamic Jerusalem, while describing various aspects of the Byzantine and Crusader city. Willibald’s account of the Holy City includes the Church of the Holy Sepulchre, the Church of Holy Sion, the pool of Bethesda, the Church of St Mary, the Church of the Agony and the Church of the Ascension. Particular attention is given to the monument of the Miraculous Healing (the legend of the Holy Cross), the portico of Solomon, the Jephonias Monument (the Dormition of Mary) and the Jerusalem circuit.

At the same time, the work explores the religious imagination of Willibald, including his perceptions of the holy sites, his image of Jerusalem and his understanding of the Christian life. Willibald’s image of the city as a far and distant place is supported by his attention to personal hardships and to his interactions with the ‘pagan Saracens’, while embedded within the tales of his oriental travels is his vision of the Christian life - whereas Willibald viewed the earthly life as a laborious journey, the Christian life was one of faithful perseverance.

The work makes a significant contribution to two fields of study: the commemorative topography of Jerusalem and the Anglo-Saxon, or Boniface, mission in Germany.

Rodney Aist is a scholar of Christian pilgrimage, both past and present, with a particular expertise in the city of Jerusalem.

The chronicles of medieval Wales are a rich body of source material offering an array of perspectives on historical developments in Wales and beyond. Preserving unique records of events from the fifth to the fifteenth centuries, these chronicles form the essential narrative backbone of all modern accounts of medieval Welsh history. Most celebrated of all are the chronicles belonging to the Annales Cambriae and Brut y Tywysogyon families, which document the tumultuous struggles between the Welsh princes and their Norman and English neighbours for control over Wales.

Building on foundational studies of these chronicles by J. E. Lloyd, Thomas Jones, Kathleen Hughes, and others, this book seeks to enhance understanding of the texts by refining and complicating the ways in which they should be read as deliberate literary and historical productions. The studies in this volume make significant advances in this direction through fresh analyses of well-known texts, as well as through full studies, editions, and translations of five chronicles that had hitherto escaped notice.

Considered the most important French Renaissance church, Saint-Eustache in Paris has long remained an enigma. What new circumstances allowed its parishioners, long desirous of a new church, suddenly to begin buiding it 1532? Did Francis I play a role? Was the obscure Jean Delamarre possibly its architect? Could the ideas of the Italian theorist, Serlio, have affected his design? These and other key issues are resolved by the author in a sustained reading of all known evidence. The baffling formal complexity of the church is clarified through lucid analysis that employs hundreds of new photographs executed by the author. The building is studied within the context of sixteenth-century French architecture and its roots in antiquity, the Italian Renaissance, Romanesque and Gothic France, and the Flamboyant Style. Sankovitch’s work will serve as a standard for all those who desire to understand this mysterious building and its times. A bright, clear window revealing an unseen architecture, previously an invisible - or at best murky - episode in the history of art, it is a portal to all future research on the building, and a key to the architectural life of the period.

Medievalists and Renaissance specialists contribute to this compelling volume examining how and why the classics of Greek and Latin culture were taught in various Western European curricula (including in England, Scotland, France,Germany, and Italy) from the tenth to the sixteenth centuries. By analysing some of the commentaries, glosses, and paraphrases of these classics that were deployed in medieval and Renaissance classrooms, and by offering greater insight into premodern pedagogic practice, the chapters here emphasize the ‘pragmatic’ aspects of humanist study. The volume proposes that the classics continued to be studied in the medieval and Renaissance periods not simply for their cultural or ‘ornamental’ value, but also for utilitarian reasons, for ‘life lessons’. Because the volume goes beyond analysing the educational manuals surviving from the premodern period and attempts to elucidate the teaching methodology of the premodern period, it provides a nuanced insight into the formation of the premodern individual. The volume will therefore be of great interest to scholars and students interested in medieval and Renaissance history in general, as well as those interested in the history of educational theory and practice, or in the premodern reception of classical literature.

The rise of modern science and European colonial and imperial expansion are indisputably two defining elements of modern world history. James E. McClellan III and François Regourd explore these two world-historical forces and their interactions in this comprehensive and in-depth history of the French case in the Old Regime presented here for the first time. The case is key because no other state matched Old-Regime France as a center for organized science and because contemporary France closely rivaled Britain as a colonial power, as well as leading all other nations in commodity production and participating in the slave trade.

Based on extensive archival research and vast primary and secondary literatures and sharply reframing the historiography of the field, this landmark volume traces the development and significance for early-modern history of the Colonial Machine of Old-Regime France, an unparalleled agglomeration of institutions geared to the success of the French colonial enterprise, including the Royal Navy, the Académie Royale des Sciences, the Jardin du Roi, and a host of related specialist institutions working together at home and overseas. Mainly supported by the French state, the Colonial Machine reveals itself through its actions from the time of Colbert and Louis XIV as it grappled with fundamental problems facing contemporary European colonialism: cartography and navigation; medical care of sailors, colonists, and slaves; and applied botany and commodity production.

Historians of globalization and European overseas expansion, of Old-Regime France, and of science in the seventeenth and eighteenth centuries will henceforth take this stimulating volume as a necessary starting point for further reflection and research.

The Ancient Egyptians used it for both the living and the dead, the Greeks and Romans used it to signal their status, and it aided the Vikings in reaching the far shores of Europe and Eurasia. Textiles have surrounded us, literally and figuratively for millennia, but this common thread has long been ignored in scholarly research. With the inception of the Centre for Textile Research at the University of Copenhagen in 2005, however, this approach changed fundamentally, and today, every type of research discipline comes together to begin unravelling the stories told by textiles. How do we understand textiles and how do we talk about them? Who produced textiles, where, and for what purposes? How do we conduct research into the origins of materials? How did cultivating flax or raising sheep change the ancient landscape? How have we researched textiles so far? What can we learn from textiles about society, gender, and production? This volume engages with these questions and explores how the fabric of society has changed through researching textiles in all its facets, from archaeology and history to natural sciences. Taking as its starting point the research interests and career of its honorand, Eva Andersson Strand, this meticulously researched volume consists of three parts, covering the tools and techniques that form the basis of all research explores; how craftspeople made use of tools and techniques; and how textiles have been used over millennia to signify identity and status.