Quaestio errorum plena: Nicomachus’ Account of Pythagoras, Philolaus, and the Archaic Heptachord

References

1. W. D. Anderson, Music and Musicians in Ancient Greece, Ithaca and London 1994.
   [Google Scholar]
2. A. Barker, Greek Musical Writings, Cambridge 1984–1989.
   [Google Scholar]
3. A. Barker, The Science of Harmonics in Classical Greece, Cambridge 2007.
   [Google Scholar]
4. W. Burkert, Lore and Science in Ancient Pythagoreanism, Cambridge, Massachusetts 1972.
   [Google Scholar]
5. W. Burkert, The Orientalizing Revolution: Near Eastern Influence on Greek Culture in the Early Archaic Age, Cambridge, Massachusetts 1992.
   [Google Scholar]
6. J. Chailley, L’hexatonique grec d’après Nicomaque, «REG» 69, 1956, 73–100.
   [Google Scholar]
7. J. Chailley, Nicomaque, Aristote et Terpandre devant la transformation de l’heptacorde grec en octocorde, «Yuval» 1, 1968, 132–154.
   [Google Scholar]
8. L.Deubner, Die viersaitige Leier, «Athenische Mitteilungen» 54, 1929, 194–200.
   [Google Scholar]
9. L.Deubner, Terpander und die siebensaitige Leier, «PhW» 50, 1930, 1566–1567.
   [Google Scholar]
10. M.Duchesne-Guillemin, Survivance orientale dans la designation des cordes de la lyre en Grèce?, «Syria» 44, 1967, 233–246.
    [Google Scholar]
11. J. C. Franklin, Diatonic Music in Greece: A Reassessment of its Antiquity, «Mnemosyne» 56/1, 2002a, 669–702.
    [Google Scholar]
12. J. C. Franklin, “Terpander: The Invention of Music in the Orientalizing Period” 2002b).
    [Google Scholar]
13. J. C. Franklin, Hearing Greek Microtones, in S. Hagel – C. Harrauer (a cura di), Ancient Greek Music in Performance, Vienna 2005, 9–50.
    [Google Scholar]
14. J. C. Franklin, Lyre Gods of the Bronze Age Musical Koine, «JANER» 6/2, 2006, 39–70.
    [Google Scholar]
15. J. C. Franklin, ‘A Feast of Music’. The Greco-Lydian Musical Movement on the Assyrian Periphery, in B. J. Collins – M. R. Bachvarova – I. Rutherford (a cura di), Anatolian Interfaces: Hittites, Greeks and their Neighbors in Ancient Anatolia, Oxford 2008, 193–204.
    [Google Scholar]
16. J. C. Franklin, Remembering Music in Early Greece, in S. Mirelman (a cura di), The Historiography of Music in Global Perspective, Piscataway, NJ 2010, 9–50.
    [Google Scholar]
17. J. C. Franklin, The Lesbian Singers: Towards a Reconstruction of Hellanicus’ ‘Karneian Victors’, in D. Castaldo – F. Giannachi – A. Manieri (a cura di), Poesia, musica e agoni nella Grecia antica, Galatina 2012, 720–764.
    [Google Scholar]
18. J. C. Franklin, “Song-Benders of Circular Choruses ”: Dithyramb and the “Demise of Music”, in P. Wilson – B. Kowalzig (a cura di), Dithyramb in Context, Oxford 2013, 213–236.
    [Google Scholar]
19. J. C. Franklin, Kinyras: The Divine Lyre, Washington D.C. 2015.
    [Google Scholar]
20. J. C. Franklin, Epicentric Tonality and the Greek Lyric Tradition, in A. D’Angour – T. Phillips (a cura di), Music and Text in Ancient Greece, Oxford 2017, 17–46.
    [Google Scholar]
21. F. A. Gevaert, Histoire et théorie de la musique de l’antiquité, Ghent 1875–1881.
    [Google Scholar]
22. F. A. Gevaert – J. C. Vollgraff, Les problèmes musicaux d’Aristote, Ghent 1903.
    [Google Scholar]
23. A. Gostoli, Terpandro e la funzione etico-politica della musica, in B. Gentili – R. Prestagostini (a cura di), La musica in Grecia, Rome 1988, 232–237.
    [Google Scholar]
24. A. Gostoli, Terpandro: Introduzione, testimonianze, testo critico, traduzione e commento, Rome 1990.
    [Google Scholar]
25. S. Hagel, Modulation in altgriechischer Musik: Antike Melodien im Licht antiker Musiktheorie, Frankfurt am Main 2000.
    [Google Scholar]
26. S. Hagel, Twenty-Four in Auloi. Aristotle, Met. 1093b, the Harmony of the Spheres, and the Formation of the Perfect System, in S. Hagel – C. Harrauer (a cura di), Ancient Greek Music in Performance, Vienna 2005, 51–92.
    [Google Scholar]
27. S. Hagel, Ancient Greek Music: A New Technical History, Cambridge 2009.
    [Google Scholar]
28. J. Hordern, The Fragments of Timotheus of Miletus, Oxford 2002.
    [Google Scholar]
29. C. A. Huffman, Philolaus of Croton, Cambridge 1993.
    [Google Scholar]
30. K. v. Jan, Musici scriptores Graeci: Aristoteles, Euclides, Nicomachus, Bacchius, Gaudentius, Alypius, Leipzig 1895.
    [Google Scholar]
31. A. D. Kilmer, Musik. A. I. In Mesopotamien, in E. Ebeling – B. Meissner (a cura di), Reallexikon der Assyriologie und vorderasiatischen Archäologie, Berlin 1997, 8.463–482.
    [Google Scholar]
32. B. Kowalzig, Singing for the gods performances of myth and ritual in archaic and classical Greece, Oxford –New York 2007.
    [Google Scholar]
33. F. Lasserre, Musica babilonese e musica greca, in B. Gentili – R. Pretagostini (a cura di), La musica in Grecia, Rome – Bari 1988, 72–83.
    [Google Scholar]
34. F. R. Levin, The Manual of Harmonics of Nicomachus the Pythagorean, Grand Rapids 1994.
    [Google Scholar]
35. M. Maas – J. Snyder, Stringed Instruments of Ancient Greece, New Haven 1989.
    [Google Scholar]
36. D. B. Monro, The Modes of Ancient Greek Music, Oxford 1894.
    [Google Scholar]
37. L. Picken, Folk Musical Instruments of Turkey, Oxford 1975.
    [Google Scholar]
38. E. Pöhlmann – M. L. West, Documents of Ancient Greek Music, Oxford 2001.
    [Google Scholar]
39. T. Power, The Culture of Kitharôidia, Cambridge, Massachusetts 2010.
    [Google Scholar]
40. E. Rocconi, Terminologia dello ‘spazio sonoro’ negli Elementa Harmonica di Aristosseno di Taranto, «QUCC» n.s. 61/1, 1999, 93–103.
    [Google Scholar]
41. C. J. Ruijgh, Le Traitement des sonantes voyelles dans les dialectes grecs et la position du mycénien, «Mnemosyne» 14, 1961, 193–216.
    [Google Scholar]
42. M. L. West, The Singing of Homer, «JHS» 101, 1981, 113–129.
    [Google Scholar]
43. M. L. West, Ancient Greek Music, Oxford 1992.
    [Google Scholar]
44. U. v. Wilamowitz-Möllendorff, Timotheus: Die Perser, Leipzig 1903.
    [Google Scholar]
45. R. P. Winnington-Ingram, The Spondeian Scale, «CQ» 22, 1928, 83–91.
    [Google Scholar]