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After the death of their founder and first prioress, Lucy (d. ca. 1225-30), the members of her community at Castle Hedingham, Essex, circulated a mortuary roll to memorialize and request prayers for their beloved leader from religious houses in their confraternity. Opening the mortuary roll is a frontispiece with three scenes featuring the priory’s patron saints, the ascent of Lucy’s soul to heaven, and her funeral, with her body lying in a bier, surrounded by the presiding priest, clerics, and her fellow sisters. This tribute to Lucy is the earliest extant illustrated mortuary roll and contains one of the few artistic representations of vowed religious women from medieval England engaged liturgically, but it has yet to receive scholarly attention as a liturgical artifact. This article examines Lucy’s mortuary roll alongside contemporary rituals for the dead in order to recover the liturgical activities performed by the members of Lucy’s community and others to care for her soul at her funeral, after her burial, and on the anniversary of her death. Viewed through these rituals, Lucy’s mortuary roll is rightly seen as both a reminder and a repository of the spiritual benefits her sisters at Castle Hedingham believed she needed to gain heaven.