Orders of Friars (Dominicans, Franciscans, Augustinians)
More general subjects:
Matthieu d’Aquasparta
Portrait d’un maître en théologie franciscain au miroir de ses Quodlibets
Franciscain d’origine ombrienne Matthieu d’Aquasparta (v. 1240-1302) est maître en théologie à l’université de Paris au moment de la censure de 1277. Il rejoint ensuite la Curie pontificale en 1279. Doté de talents politiques certains il est brièvement ministre général de l’ordre franciscain avant d'être créé cardinal par Nicolas IV en 1288. Il obtient la charge de grand pénitencier et devient un soutien fidèle de Boniface VIII. Depuis le début du XXe siècle la pensée du théologien avait surtout fait l'objet d'études construites à partir de l'édition progressive de ses Questions disputées. Cet ouvrage propose une biographie complète de Matthieu d’Aquasparta au prisme de ses textes universitaires grâce à l’analyse de sa bibliothèque personnelle de ses manuscrits de travail légués aux couvent d'Assise et de Todi et de ses Quodlibets encore inédits.
A Cathedral of Constitutional Law
Essays on the Earliest Constitutions of the Order of Preachers With an English Translation of Fr Antoninus H. Thomas’s 1965 Study
The Belgian Dominican friar Antoninus Hendrik Thomas published a critical reconstruction of the earliest Constitutions of the Dominican Order. He identified meticulously where Saint Dominic and his first brothers had borrowed material from other religious and secular juridical systems as well as where they had been original thus uncovering the foundational charism of the Order. Even today researchers in the field regard Fr Thomas’s work as indispensable. Unfortunately many of his insights are difficult to access for a wider audience since Fr Thomas wrote his work in his native language Dutch. To mark the eighth centenary of the death of Saint Dominic in 2021 the Belgian Dominican province therefore decided to publish Fr Thomas’s work in an English translation as well as to complement this with a selection of essays written by contemporary experts who – from their particular perspectives – engage with Fr Thomas’s main insights. The essays deal with the historiographical tradition to which Fr Thomas belonged the Premonstratensian Cistercian and secular sources of the Constitutions the manuscript tradition and editing process of the earliest Constitutions and their reception in the first century of the Order and by the late medieval observant movement.
Dominicans and Franciscans in Medieval Rome
History, Architecture, and Art
When Saint Dominic (c. 1174-1221) came to Rome to seek papal approval of the Order of Preachers he founded two houses on the periphery of the city - a nunnery at S. Sisto in structures rebuilt by Pope Innocent III and a priory next to the early Christian basilica of S. Sabina. The Dominicans modified and enlarged the existing buildings according to their needs. Saint Francis of Assisi (c. 1182-1226) also came to consult the Pope but he did not make any foundations in Rome. In 1229 Pope Gregory IX ordered the Benedictine monks of SS. Cosma e Damiano in Mica Aurea to cede to the Franciscans their hospice of S. Biagio in Trastevere where Saint Francis had stayed. The friars built the church and friary of S. Francesco a Ripa there. Later Gregory IX took over the Benedictine monastery itself where he established the Franciscan nunnery of S. Cosimato in 1234. Moving into the more densely inhabited parts of the city the Friars Minor built a new friary and church at S. Maria in Aracoeli on the Capitoline Hill from c. 1248-1252 onwards. The Dominicans in 1266 acquired a convent near the Pantheon where they constructed the Gothic church of S. Maria sopra Minerva. In 1285 the Colonna family established a Franciscan nunnery at S. Silvestro in Capite. In the context of the origin and evolution of the two Mendicant Orders this book traces the history of these thirteenth-century Dominican and Franciscan foundations focussing on their location in Rome the history of each site their architecture and the medieval works of art connected with them. Popes and cardinals members of important families and Franciscan Tertiaries contributed generously to their construction and decoration. The book ends with Saint Catherine of Siena who lived near S. Maria sopra Minerva where she was buried.
The Medieval Dominicans
Books, Buildings, Music, and Liturgy
The Order of Preachers has famously bred some of the leading intellectual lights of the Middle Ages. While Dominican achievements in theology philosophy languages law and sciences have attracted much scholarly interest their significant engagement with liturgy the visual arts and music remains relatively unexplored. These aspects and their manifold interconnections form the focal point of this interdisciplinary volume.
The different chapters examine how early Dominicans positioned themselves and interacted with their local communities where they drew their influences from and what impact the new Order had on various aspects of medieval life. The contributors to this volume address issues as diverse as the making and illustrating of books services for a king the disposition of liturgical space the creation of new liturgies and a Dominican-made music treatise. In doing so they seek to shed light on the actions and interactions of medieval Dominicans in the first centuries of the Order’s existence.
Jerusalem in the Alps
The Sacro Monte of Varallo and the Sanctuaries of North-Western Italy
The Sacro Monte (Holy Mountain) at Varallo is a sanctuary in the Italian Alps west of Milan. It was founded in the late fifteenth century by a Franciscan friar with the support of the town’s leading families. He designed it as a schematic replica of Jerusalem to enable the faithful to make a virtual pilgrimage to the Holy City if they could not undertake the perilous journey to visit it physically. The Sacro Monte consists of a sequence of chapels containing tableaux of life-size painted terra-cotta figures with fresco backgrounds recounting the life and Passion of Christ. A century later in the era of the Counter-Reformation a ‘second wave’ of Sacri Monti was constructed in the north-western Alps modelled on Varallo but dedicated to other devotional themes like the Rosary or the life of St Francis. All these sanctuaries like Varallo were the result of local initiatives initiated by the clergy and the leaders of the communities where they were situated. Like Varallo they were the work of artists and craftsmen from the alpine valleys or from nearby Lombardy. Long dismissed as folk art unworthy of serious critical attention the Sacri Monti are now recognised as monuments of unique artistic significance. In 2003 UNESCO listed nine of them in its register of World Heritage Sites. This book studies their development as the products of the religious sensibilities and the social economic and political conditions of the mountain communities that created them.
John of Paris
Beyond Royal and Papal Power
The Dominican scholar John of Paris was one of the most controversial members of the University of Paris in the later Middle Ages. The author of over twenty works he is best known today for On Royal and Papal Power a tract traditionally linked to the explosive confrontation that took place between the French king Philip IV and Pope Boniface VIII in the early years of the fourteenth century. Although his role as a royal apologist has been questioned in recent years John’s tract is often considered the first great defence of the independence of nation-states in the face of the claims to universal authority made by popes and emperors.
Bringing together a team of international scholars with a wide range of expertise this volume offers the first collection of essays in any language to be dedicated to an exploration of John’s thought. It re-examines his view of the relationship between Church and state and his conception of political organization. It considers the role played by John’s background as a member of the Dominican order in shaping his ideas and breaks new ground in exploring the relationship between his various works the origins of his thought its development and its legacy.
A Mendicant Sermon Collection from Composition to Reception
The 'Novum opus dominicale' of John Waldeby, OESA
This study analyzes in detail the Novum opus dominicale of John Waldeby a member of the convent of the Augustinian friars in York. This unedited collection of some sixty sermons for Sundays and major feasts is extant in two manuscripts in the Bodleian Library (Oxford) MSS Laud misc. 77 and Bodley 687. The present study places the work and the preacher within the wider context of mendicant preaching as mass communication in the Middle Ages. In doing so it focuses on the educational environment which encompasses conventual education and preaching to the laity and on the library in which this model sermon collection was compiled and used identifying the role and meticulous design of the mendicant library collection. Through a detailed examination of sermon form in conjunction with Robert of Basevorn’s Forma praedicandi it tries to disentangle the intricate considerations involved in the processes of sermon composition and reveals the strategies of interpretation and communication in the use of exempla and imagery in preaching. It investigates the careful organization of Waldeby’s work as a cycle of sermons for an entire year. In this way it makes possible a deeper understanding of a wide range of complex issues from composition to reception through the prism of this important fourteenth-century sermon collection.
Vies de saints, légendes de soi
L'écriture hagiographique dominicaine jusqu'au Speculum sanctorale de Bernard Gui († 1331)
Entre 1312/1316 et 1329 le dominicain Bernard Gui rédige une collection de Vies de saints intitulée Speculum sanctorale. Située dans une histoire des légendiers dominicains cette œuvre montre l’évolution de l’hagiographie de cet ordre. Alors que les hagiographes dominicains du XIIIe siècle répondent à des besoins ponctuels en privilégiant tantôt la sainteté locale tantôt la sainteté universelle Bernard Gui cherche à faire la synthèse entre ces différentes voies. Il produit alors une somme hagiographique dont la composition minutieuse supporte les enjeux identitaires de la promotion des saints de l’ordre des cultes locaux et universels.
Agnès Dubreil-Arcin a soutenu sa thèse de doctorat à Toulouse en 2007 et le présent ouvrage en est la version remaniée. Elle est membre du comité d’organisation des colloques d’histoire religieuse médiévale de Fanjeaux.
Carmelite Liturgy and Spiritual Identity
The Choir Books of Kraków
This book discusses the significance of the Carmelite liturgy as practised in the Kraków convent over a period of some four hundred years. Specifically it examines the liturgical contents of five medieval Carmelite choir books from the Kraków convent and another choir book from this collection which is now in Wroclaw and discusses their contents (especially their significant feasts) in terms of the Carmelite order's historical self-understanding and established liturgical tradition. Carmelite Liturgy and Spiritual Identity outlines the role of liturgy in the life of the Kraków convent and in relationship to the apostolic activity of these mendicant friars. It argues that the order's unique liturgical tradition one which remained distinctive even after the Council of Trent was crucial to their self-understanding. It also articulates how the liturgical practices of the Kraków Carmelites made a significant contribution to the spiritual life of the city and its people.
Vincent de Beauvais et le Grand Miroir du monde
Le Grand Miroir du monde Speculum maius est la «Grande Encyclopedie» du Moyen Age. Ce livre présente les étapes de son élaboration comme outil du studium par Frère Vincent de Beauvais lecteur dominicain au service de son Ordre et par ailleurs familier du roi Louis IX. Il caractérise la documentation mise en œuvre et son évolution. Conçu d'abord en deux parties clans un esprit proche de la pensée victorine ( vers 1244) l'ouvrage fut ensuite remis en avancées de la nouvelle science tributaire d'Aristote et d'al-Farabi (vers 1260). L'influence naturaliste d'Albert le Grand faisant suite á celle exégétique de Hugues de Saint-Cher le Speculum maius devient ainsi une œuvre en trois parties Speculum naturale consacre á l'histoire naturelle selon l'ordre des six jours de la création; Speculum doctrinale inachevé exposant toutes les branches du savoir (trivium propédeutique sciences pratiques sciences mécaniques sciences théoriques); Speculum historiale deroulant les facta et gesta de l'humanité (histoire proprement dite histoire littéraire et hagiographie) jusqu'au Jugement dernier selon la vision augustinienne de l'histoire.
Des documents traduits dont !'important prologue Libellus apologeticus illustrent la méthode de composition et le contenu de l'œuvre la mettent en relation avec d'autres ecrits paralleles du XIIIe siècle et témoignent de son succès au cours des siécles.