Skip to content
1882
Volume 5, Issue 1
  • ISSN: 1784-410X
  • E-ISSN: 2034-208X

Abstract

Abstract

On his way from Rome to Paris in February 1642, Gabriel Naudé visited the cabinet of curiosities of Gaspard de Monconys in Lyon, which the contemporary sources described as one of the richest in Europe. Impressed by its magnificence, he advised De Monconys to draft a catalogue of all his medals, to be sent to their mutual friend, the Roman collector Cassiano dal Pozzo, patron of the Museum Cartaceum. Eight months later, De Monconys launched an editorial project which intended to immortalize a part of his collection through a ‘paper gallery’ of forty copper-engraved portraits of cardinals. This recently rediscovered project typifies his position in a scholarly network and illuminates the importance he attached to visual imagery.

Loading

Article metrics loading...

/content/journals/10.1484/J.FRAG.1.103520
2011-01-01
2025-12-04

Metrics

Loading full text...

Full text loading...

/content/journals/10.1484/J.FRAG.1.103520
Loading
  • Article Type: Research Article
This is a required field.
Please enter a valid email address.
Approval was a Success
Invalid data
An error occurred.
Approval was partially successful, following selected items could not be processed due to error:
Please enter a valid_number test
aHR0cHM6Ly93d3cuYnJlcG9sc29ubGluZS5uZXQv