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1882
Volume 13, Issue 1
  • ISSN: 1577-5003
  • E-ISSN: 2507-0495

Abstract

Abstract

I analyse the continuous reworking of the myth of Daedalus and Icarus in the context of the city of Plasencia, from medieval times until the nineteenth century. In particular, I reflect on the commentary to the Æneid made by fray Juan Luis de la Cerda (1560-1643) and the subsequent assimilation of this invented story by Rodrigo Alemán, sculptor of the Choir stalls of the cathedral. Finally, I study new documents in which it is possible to see the reinterpretation of this myth from classical antiquity within the international scientific press of modern Europe.

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/content/journals/10.1484/J.TROIA.1.103690
2013-01-01
2025-12-06

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  • Article Type: Research Article
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