European Medieval Drama

Volume 2, Issue 1, 1998

Publisher: Brepols

DOI: https://doi.org/10.1484/j.emd.6.19980002

• • Front Matter (half-title, editorial information, title page, copyright information, table of contents, preface, list of frequently cited works)

    https://doi.org/10.1484/J.EMD.5.146654

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• • Cover page

    https://doi.org/10.1484/J.EMD.5.146655

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• • 'At the still point of the turning world': Augustinian roots of medieval dramaturgy

    By: Alexandra F. Johnston

    https://doi.org/10.1484/J.EMD.2.300899

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• • The professional travelling players of the fifteenth century: myth or reality?

    By: Peter Meredith

    https://doi.org/10.1484/J.EMD.2.300900

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• • 'The way things (never) were': spiritual nostalgia in medieval English plays

    By: John C. Coldewey

    https://doi.org/10.1484/J.EMD.2.300901

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• • Cycle plays: the state of the art

    By: Peter Happé

    https://doi.org/10.1484/J.EMD.2.300902

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• • Theatrical Chaucer

    By: Enrico Giaccherini

    https://doi.org/10.1484/J.EMD.2.300903

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• • 'Unfaithful wives and weeping bitches': Den utro hustru Graham Caie

    By: Graham D. Caie

    https://doi.org/10.1484/J.EMD.2.300904

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• • 'Pawns or prime movers?': the Rhetoricians in the struggle for power in the Low Countries

    By: Elsa Strietman

    https://doi.org/10.1484/J.EMD.2.300905

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• • Modes of performance at the Antwerp Haagspel of 1561

    By: John Cartwright

    https://doi.org/10.1484/J.EMD.2.300906

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• • The fourteenth-century, Middle Dutch, secular play of Esmoreit

    By: Jacques Tersteeg

    https://doi.org/10.1484/J.EMD.2.300907

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• • How to stage an Abel Spel: reflections on the theatrical treatment of historical play-texts

    By: Femke Kramer

    https://doi.org/10.1484/J.EMD.2.300908

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• • Producing the Harrowing of Hell and Last Judgement plays in a Japanese Buddhist drama style.

    By: Kusue Kurokawa

    https://doi.org/10.1484/J.EMD.2.300909

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• • The holy spectacles of Hildegard of Bingen

    By: Robert Potter

    https://doi.org/10.1484/J.EMD.2.300910

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• • Middle Cornish drama at the Millennium

    By: Evelyn S. Newlyn

    https://doi.org/10.1484/J.EMD.2.300911

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• • Playing the serpent: devil, virgin or mythical beast?

    By: Sydney Higgins

    https://doi.org/10.1484/J.EMD.2.300912

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• • The scapegoat in the Spanish Auto Sacramental

    By: Jay E. Moore

    https://doi.org/10.1484/J.EMD.2.300913

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• • Gestus revisited: Balaam and Balaak in Chester

    By: Peter Thomson

    https://doi.org/10.1484/J.EMD.2.300914

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• • In the context of 'rough music': the representation of unequal couples in some medieval plays

    By: Theresia De Vroom

    https://doi.org/10.1484/J.EMD.2.300915

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• • Revisiting The Croxton Play of the Sacrament: spectacle and the other's voice

    By: André Lascombes

    https://doi.org/10.1484/J.EMD.2.300916

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• • Subverting the mysteries: the Devil as anti-character

    By: Lesley Wade Soule

    https://doi.org/10.1484/J.EMD.2.300917

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Volumes & issues

• Volume 28 (2024)

• Volume 27 (2023)

• Volume 26 (2022)

• Volume 25 (2021)

• Volume 24 (2020)

• Volume 23 (2019)

• Volume 22 (2018)

• Volume 21 (2017)

• Volume 20 (2016)

• Volume 19 (2015)

• Volume 18 (2014)

• Volume 17 (2013)

• Volume 16 (2012)

• Volume 15 (2011)

• Volume 14 (2010)

• Volume 13 (2009)

• Volume 12 (2008)

• Volume 11 (2007)

• Volume 10 (2006)

• Volume 9 (2005)

• Volume 8 (2004)

• Volume 7 (2003)

• Volume 6 (2003)

• Volume 5 (2002)

• Volume 4 (2001)

• Volume 3 (2000)

• Volume 2 (1998)

• Volume 1 (1997)

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