The Archaeology of Byzantine Liturgical Performativity: The Service of Footwashing on Patmos Island

References

1. Edited Source Texts
   Constantine Porphyrogennetos, The Book of Ceremonies, trans. and comment. by Ann Moffatt and Maxeme Tall, with a reprint of the Greek text, ed. by J. J. Reiske (Leiden: Brill, 2012)
2. Дмитриевский, Алексей Афанасьевич (cited as: Dmitrievski, Opisanie liturgicheskich rukopisei), Описание литургических рукописей, хранящихся в библиотеках Православного Востока, vol. i, Tυπικά (Kiev: Типография Корчак Новицкого, 1895)
3. Дмитриевский, Алексей Афанасьевич (cited as: Dmitrievski, Tserkovnye tozhestva), Церковные торжества в дни великих праздников на православном Востоке, vol. i (St Petersburg: Типография В Ф Киршбаума, 1909)
4. Goar, Jacobus, Eὐχολόγιον (Euchologion), id est Rituale Graecorum (Paris: Simeon Piget, 1647)
5. Ioannes Klimakos, Kλῖμαξ Iωάννου τοῦ Σιναΐτου (Athens: Aστήρ, 1979)
6. ———, The Ladder of Divine Ascent, trans. by Colm Luibheid and Norman Russell (New York: Paulist Press, 1982)
7. Johannes Damascenus, Contra imaginum calumniatores orationes tres, ed. by Bonifatius Kotter, Die Schriften des Johannes von Damaskos, 3 (Berlin: De Gruyter, 1975)
8. Pseudo-Kodinos Kouropalates, ‘De officiis et officialibus Magnae Ecclesiae et Aulae Constantinopolitanae Commentariorum libri tres’, in Patrologiae cursus completes: series graeca, ed. by Jacques-Paul Migne (Paris: Garnier, 1857–1866), vol. clvii, cols 121–428
9. Λαμπρός, Σπυρίδων (cited as Lambros, ‘Vyzantiniaki skinothethiki diataxis’), ‘Bυζαντιακή σκηνοθετική διάταξις των Παθών του Xριστού’, Nέος Eλληνομνήμων, 13 (1916), 381–413
   [Google Scholar]
10. Mahr, August C., The Cyprus Passion Cycle (Indiana: The University of Notre Dame, 1947)
11. Никифорова, Александра Юрьевна (cited as Nikiforova, ‘Ancient Footwashing Ceremony of Jerusalem’), ‘Древний иерусалимский чин умовения ног в тропологии Sin. gr. MΓ/NE 56+5 (публикация, вступительная заметка и комментарий)’, Вестник ПСТГУ, 109/2 (2018), 9–34
    [Google Scholar]
12. Origen, Homilies on Joshua, ed. by Thomas P. Halton, trans. by Barbara J. Bruce, Fathers of the Church, 105 (Washington, DC: The Catholic University of America, 2002)
13. Savvas, Saint, Tυπικὸν τοῦ Ἁγ. καὶ θεοφόρου πατρὸς ἡμῶν Σάββα τοῦ ἡγιασμένου (cited as: Typikon), ed. by Archimandrite Dositheos (Granitsa: Σταυροπηγιακή μονή Παναγίας Tατάρνης Eύρυτανίας, 2009)
14. Symeōn of Thessalonica, ‘Dialogus contra haereses’, in Patrologiae cursus completes: series graeca, ed. by Jacques-Paul Migne (Paris: Garnier, 1857–1866), vol. clv, cols 111–16
15. ———, ‘De sacro templo’, in Patrologiae cursus completes: series graeca, ed. by Jacques-Paul Migne (Paris: Garnier, 1857–1866), vol. clv, cols 305–61
16. Theodoros Stoudites, ‘Antirrheticus III’, in Patrologiae cursus completes: series graeca, ed. by Jacques-Paul Migne (Paris: Garnier, 1857–1866), vol. ic, cols 389–436
17. Le Typicon de la Grande Église, vol. ii: Le cycle des fêtes mobiles, ed. by Juan Mateos (Rome: Pont. Institutum Orientalium Studiorum, 1963)
18. Secondary Material
    Apostolos, Fotios K., ‘The Acolouthy of the Footwashing (the Orthros of Holy Thursday) in the Greek-Orthodox Tradition’ (unedited PhD. thesis, Pontificium Institutum Orientale Rome, 2015)
19. Baumstark, Anton, ‘Das Typikon der Patmos-Handschrift 266’, Jahrbuch des Liturgiewissenschaft, 6 (1926), 98–111
    [Google Scholar]
20. Brubaker, Leslie, and John Haldon, Byzantium in the Iconoclast Era, c. 680–850: A History (Cambridge: Cambridge University Press, 2011)
21. Brubaker, Leslie, Inventing Byzantine Iconoclasm (London: Bristol Classical Press, 2012)
22. Cottas, Vénétia, Le Théâtre à Byzance (Paris: Paul Geuthner, 1931)
23. Fischer-Lichte, Erika, The Transformative Power of Performance: A New Aesthetics, trans. by Saskia Iris Jain (London: Routledge, 2008)
24. Frank, Georgia, ‘Taste and Se: The Eucharist and the Eyes of Faith in the Fourth Century’, Church History, 70/4 (2011), 619–43
    [Google Scholar]
25. Grivaud, Gilles, ‘Literature’, in Cyprus: Society and Culture 1191–1374, ed. by Angel Nikolau-Konnaré and Christopher David Schabel (Leiden: Brill, 2005), pp. 219–84
26. The Hierotopy of Holy Mountains in Christian Culture / Иеротопия святой горы в христианской культуре, ed. by Aleksei Michailovich Lidov (Moscow: Theoria, 2019)
27. Humphreys, Mike, A Companion to Byzantine Iconoclasm (Leiden: Brill, 2021)
28. Iconoclasm: Papers given at the Ninth Spring Symposium of Byzantine Studies, ed. by Anthony Bryer and Judith Herrin (Birmingham: University of Birmingham, 1977)
29. Koester, Craig R., Revelation: A New Translation with Introduction and Commentary (New Haven and London: Yale University Press, 2014)
30. Kotte, Andreas, Theaterwissenschaft (Köln and others: Böhlau, 2005)
31. Krumbacher, Karl, Geschichte der Byzantinischen Litteratur von Justinian bis zum Ende des Oströmischen Reiches (527–1453) (Munich: C. H. Beck, 1889), repr. 1897
32. Kουκουλές, Φαίδων (cited as Koukoules, Life and culture of the Byzantines), Bυζαντινών βίος και πολιτισμός, 6 vols (Athens: Institut français d’Athènes, 1948–1952)
33. Lemerle, Paul, Le premier humanisme byzantin. Notes et remarques sur enseignement et culture à Byzance des origines au x^e siècle (Paris: Presses Universitaires de France, 1971)
34. McNamer, Sarah, ‘Feeling’, in Oxford Twenty-First Century Approaches to Literature: Middle English, ed. by Paul Strohm (Oxford: Oxford University Press, 1007), pp. 241–57
35. Mellas, Andrew, ‘Feeling Liturgically. Reflections on Byzantine Hymnography and Compunction’, in Creating Liturgically: Hymnography and Music. Proceedings of the Sixth International Conference on Orthodox Church Music. University of Eastern Finland. Joensuu, Finland 8–14 June 2015, ed. by Ivan Moody and Maria Takala-Roszczenko (Joensuu: The International Society for Orthodox Church Music, 2017), pp. 392–413
36. Osolsobě, Ivo, ‘Ostension’, in Encyclopaedic Dictionary of Semiotics, ed. by Thomas A. Sebeok (Berlin: De Gruyter, 1986), pp. 656–60
37. Ostrogorsky, George, ‘The Byzantine Emperor and the Hierarchical World Order’, The Slavonic and East European Review, 35/84 (1956), 1–14
    [Google Scholar]
38. Parry, Kenneth, Depicting the Word: Byzantine Iconophile thought of the Eighth and Ninth Centuries (Leiden: Brill, 1996)
39. Petersen, Niels Holger, ‘Medieval Liturgy and the Senses: the Case of the Mandatum’, in The Saturated Sensorium, ed. by Hans Henrik Lohfert Jørgersen and others (Aarhus: Aarhus University Press, 2015), pp. 180–205
40. Pétridès, Sophrone, ‘Le lavement des pieds le Jeudi-Saint dans l’Église grecque’, Échos d’Orient, 3/6 (1900), 321–26
41. Pétridès, Sophrone, ‘La cérémonie du lavement des pieds à Jérusalem’, Échos d’Orient, 14/87 (1911), 89–99
42. Plested, Marcus, ‘The Spiritual Senses’, in Knowing Bodies, Passionate Souls: Sense Perceptions in Byzantium, ed. by Susan Ashbrook Harvey and Margaret Mullet (Washington, DC: Dumbarton Oaks Papers, 2017), pp. 301–212
43. Πλωρίτης, Mάριος (cited as Ploritis, Theatre in Byzantium), Tο θέατρο στο Bυζάντιο (Athens: Eκδόσεις Kαστανιώτη, 1999)
44. Pšenička, Martin, ‘Otakar Zic’s Invisible Actors and Creative Minds’, Theatralia, 2 (2014), 71–80
    [Google Scholar]
45. Puchner, Walter, The Crusader Kingdom of Cyprus – A Theatre Province of Medieval Europe: including a critical edition of the Cyprus passion cycle and the ‘Repraesentatio figurata’ of the presentation of the Virgin in the temple (Athens: Academy of Athens, 2006)
46. Puchner, Walter, and Andrew Walker White, Greek Theatre Between Antiquity and Independence: History of Reinvention from the Third Century bc to 1830 (Cambridge: Cambridge University Press, 2017)
47. Sarkissian, Alena, ‘Ikona v pohybu: K Symeónově kritice náboženského divadla’, Divadelní revue, 29/3 (2018), 43–61
48. Schechner, Richard, Performance Theory (London: Routledge, 1977), reprint 2008
49. Schulz, Hans-Joachim, The Byzantine Liturgy: Symbolic Structure and Faith Expression (New York: Pueblo Publishing Company, 1986)
50. Senn, Frank C., Embodied Liturgy: Lessons in Christian Ritual (Minneapolis: Fortress Press, 2016)
51. Σολομός Aλέξις (cited as Solomos, The Saint Bacchus), O άγιος Bάκχος: άγνωστα χρόνια θεάτρου (Athens: Eκδόσεις Δωδώνη, 1987)
52. Strunk, Oliver, Essays on Music in the Byzantine World (New York: Norton, 1977)
53. Taft, Robert Francis, The Byzantine Rite: A Short History (Collegeville: The Liturgical Press, 1992)
54. Thomas, John Philip, and Angela Hero Constantinides (eds), Byzantine Monastic Foundation Documents: A Complete Translation of the Surviving Founders’ Typika and Testaments (Washington, DC: Dumbarton Oaks Research Library and Collection, 2001)
55. Tronzo, William, ‘Mimesis in Byzantium: Notes toward a History of the Function of the Image’, RES: Anthropology and Aesthetics, 25 (1993), 61–76
    [Google Scholar]
56. Turner, Victor, From Ritual to Theatre: The Human Seriousness of Play (New York: PAJ Publications, 1982), reprint 1992
57. Bλάχος, Iερόθεος (cited as: Vlachos, Empiriki dogmatiki), Eμπειρική δογματική της Oρθόδοξου Kαθολικής Eκκλησίας κατά τις προφορικές παραδόσεις του π. Iωάννου Pωμανίδη, vol. i (Levadeia: Monastery of the Nativity of the Theotokos, 2011)
58. Vogt, Alfred, ‘Études sur le théâtre byzantin I. Un mystère de la passion (?)’, Byzantion, 6 (1931), 37–74
    [Google Scholar]
59. Walker White, Andrew, Performing Orthodox Ritual in Byzantium (Cambridge: Cambridge University Press, 2015)
60. Wellesz, Egon, A History of Byzantine Music and Hymnography (Oxford: Clarendon Press, 1961)
61. Wybrew, Hugh, The Orthodox Liturgy: The Development of the Eucharistic Liturgy in the Byzantine Rite (London: SPCK, 1989), reprint 1990
62. Zich, Otakar, Estetika dramatického umění (Prague: Melantrich, 1931)
63. Žáková, Anna, ‘Performatívnosť stredovekého rituálu Mandatum u Sv. Jiří na Pražskom hrade’, Theatralia, 21 (2018), 71–88
    [Google Scholar]