BOB2022MOOT
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Le philosophe dans la cité: Sénèque et l’otium philosophique
show More to view fulltext, buy and share links for:Le philosophe dans la cité: Sénèque et l’otium philosophique show Less to hide fulltext, buy and share links for: Le philosophe dans la cité: Sénèque et l’otium philosophiqueBy: Juliette DrossQuel est le rôle du philosophe dans la cité ? Comment celui que lon appellerait aujourd'hui l'intellectuel remplit-il au mieux ses devoirs d'homme et de citoyen ? Cette question est centrale dans l'Antiquité. Présent dès Platon et prégnant dans les philosophies hellénistiques, le débat sur les genres de vie prend une tournure singulière à Rome. L'œuvre de Sénèque s'avère particulièrement novatrice sur cette question. Dans une approche mêlant des enjeux philosophiques et culturels mais aussi linguistiques et littéraires, le philosophe romain renouvelle à la fois le débat philosophique et la notion romaine d’otium.
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Solus homo nudus, solum animal sapiens
show More to view fulltext, buy and share links for:Solus homo nudus, solum animal sapiens show Less to hide fulltext, buy and share links for: Solus homo nudus, solum animal sapiensBy: Émilie SérisLa définition du nu comme genre artistique pose problème depuis qu’a été critiquée la distinction posée par Kenneth Clark entre Nu et nudité (The Nude , 1956). Si les Anciens n’ont pas laissé de théorie du nu, les humanistes ont fourni une abondance de préceptes lui reconnaissant la validité d’un concept esthétique. Cet ouvrage présente une première synthèse des théories du nu dans les traités d’art de la Renaissance et montre comment artistes et théoriciens ont inventé le nu à partir de trois sciences - les mathématiques, la médecine et la philosophie morale - en renouvelant les doctrines antiques de la symétrie, de l’anatomie et de la physiognomonie.
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The Spirit, the World and the Trinity
show More to view fulltext, buy and share links for:The Spirit, the World and the Trinity show Less to hide fulltext, buy and share links for: The Spirit, the World and the TrinityIn a renowned and controversial passage Origen writes: “Of the subsistence of the Holy Spirit, no-one could have even a suspicion, except those who profess a belief in Christ” (De Principiis, 1,3). But how come that ancient Christian authors elaborated a theology of the Holy Spirit? This innovative study tackles this question by analysing how the exegesis of the Gospel of John shaped the trinitarian and soteriological agency of the Holy Spirit in the theologies of two of the most important Christian authors of all times: Origen and Augustine. In particular, the Johannine Father-Son-Spirit relation and the dichotomy between God and the world represent the foundation on which Origen and Augustine built their pneumatologies. At a closer look, one even realises that they both conceived the God-human relationship through a Johannine lens.
The heuristic comparison proposed in this book is focused on the three large themes, towards which Origen and Augustine represent opposite approaches: the understanding of the immanent Trinity, the dualism between God and the world and the proper role of the Holy Spirit. On the one hand, Origen put forward a paradigm of participation to explain the oneness and threeness of God. On the other, Augustine understands God’s self-relation through a paradigm of identity. These two trinitarian constructions are shaped by a different understanding of the Gospel of John: while Origen’s theology mostly smooths the gospel’s dualism by interpreting God’s salvific act as a gradual spiritualisation of the world, Augustine tends to accentuate the Gospel’s dichotomies by radicalising the Johannine dualism. This study will therefore clarify the two specific paradigms in the two authors’ theologies: participation/transformation in Origen and identity/separation in Augustine, showing also how these paradigms are patterned after their different understanding of the fourth Gospel.
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Through the Bone and Marrow
show More to view fulltext, buy and share links for:Through the Bone and Marrow show Less to hide fulltext, buy and share links for: Through the Bone and MarrowBy: Laura HellstenThis book is a conversation starter. The author is re-imagining the theological landscape of historical practices of dance in order to open up a space where further explorations can be made. This is done in a two step manner. First, the book uncovers the restrictions of earlier research on the topic of dance in and around churches. In the second step, Hellsten suggests a practice for how historical sources can be imagined in a new frame. Opening up a new field of previously neglected and much needed historical studies on Dance in the Christian churches of the Latin West this study aims at questioning old paradigms and opening new vistas rather than reinterpreting concrete liturgical manuscripts or scrutinizing all the details of the historical sources presented.
The Donner Institute for Research in Religion and Culture in Turku, Finland has awarded its Nordic Research Prize 2021 to Dr. theol. Laura Hellsten for her creative research widening our understanding of sacral dance in general and of the role of dance in the Christian church in particular.
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