oa Affecting the Cosmos: Astronomical Volvelles Within Apian's Cosmographia

References

1. Barentine, J. (2016). Uncharted constellations: Asterisms, single-source and rebrands. Chichester, UK: Springer.
2. Briggs, H. (1927). De duobus fratribus minoribus medii aevi alchemistis. Archivum Fransciscatum Historicum, 20, 305–313.
   [Google Scholar]
3. Churchill, W. A. (1935). Watermarks in paper in Holland, England, France, and so forth in the XVII and XVIII centuries and their interconnection. Amsterdam, The Netherlands: M. Hertzberger. Retrieved from https://wellcomecollection.org/works/f4kxb32m
4. Crupi, G. (2019). Volvelles of knowledge: Origin and development of an instrument of scientific imagination (13th–17th centuries). Italian Journal of Library and Information Science, 10(2), 1–27.
   [Google Scholar]
5. Dackerman, S. (2011). Prints and the pursuit of knowledge in early modern Europe. Cambridge, MA: Harvard Art Museums.
6. Gaida, M. (2016). Reading Cosmographia: Peter Apian's book-instrument hybrid and the rise of the mathematical amateur in the sixteenth century. Early Science and Medicine, 21(4), 277–302.
   [Google Scholar]
7. Gessner, S. (2013). The use of printed images for instrument-making at the Arsenius workshop. In N. Jardine & I. Fay (Eds.), Observing the world through images: Diagrams and figures in the early-modern arts and sciences (pp. 124–152). Leiden, The Netherlands: Brill.
8. Gingerich, O. (1993). Astronomical paper instruments with moving parts. In R. G. W. Anderson, J. A. Bennett, & W. F. Ryan (Eds.), Making instruments count (pp. 63–74). Aldershot, UK: Variorum.
9. Gravelle, L., Mustapha, A., & Leroux, C. (2022, March 19). Volvelles. ArchBook. Retrieved from https://drc.usask.ca/projects/archbook/volvelles.php
10. Helfand, J. (2002). Reinventing the wheel. New York, NY: Princeton Architectural Press.
11. Hill, K. (1998). “Juglers or schollers?”: Negotiating the role of a mathematical practitioner. British Journal for the History of Science, 31, 253–274. https://doi.org/10.1017/S000708749800329X
    [Google Scholar]
12. James, M. R. (1980). A descriptive catalogue of the Latin manuscripts in the John Rylands Library at Manchester. Manchester, UK: Manchester University Press.
13. Jardine, B. (2020). The book as instrument: Craft and technique in early modern practical mathematics. BJHS Themes, 5, 111–129. https://doi.org/ [Crossref]
    [Google Scholar]
14. Jardine, N., & Fay, I. (2013). Observing the world through images: Diagrams and figures in the early-modern arts and sciences. Leiden, The Netherlands: Brill.
15. Kanas, N. (2007). Star maps: History, artistry, and cartography. New York, NY: Praxis Publishing.
16. Karr Schmidt, S. (2004). Constructions both sacred and profane: Serpents, angels, and pointing fingers in Renaissance books with moving parts. Yale University Library Gazette, 78(3/4), 101–127. Retrieved from http://www.jstor.org/stable/40859568
    [Google Scholar]
17. Karr Schmidt, S. (2011). Georg Hartmann and the development of printed instruments in Nuremberg. In S. Dackerman (Ed.), Prints and the pursuit of knowledge in early modern Europe (pp. 268–316). Cambridge, MA: Harvard Art Museums.
18. Karr Schmidt, S. (2018). Interactive and sculptural printmaking in the Renaissance. Leiden, The Netherlands: Brill.
19. Karr Schmidt, S., & Wouk, E. (2017). Prints in translation, 1450–1750: Image, materiality and space. London, UK: Routledge.
20. Kinsley, S., Manasek, F., Milne, D., & Scheinfeldt, T. (n.d.). Cosmographia: A close encounter. A student virtual exhibition at the Museum of the History of Science, Oxford. Retrieved from https://www.mhs.ox.ac.uk/students/98to99/index.html
21. Kusukawa, S. (2012). Picturing the book of nature: Image, text and argument in sixteenth-century human anatomy and medical botany. Chicago, IL: University of Chicago Press.
22. Malafouris, L. (2014). Creative thinging: The feeling of and for clay. Pragmatics & Cognition, 22(1), 140–158.
    [Google Scholar]
23. Malafouris, L., & Renfrew, C. (2010). The cognitive life of things: Recasting the boundaries of the mind. Cambridge, UK: McDonald Institute for Archaeological Research.
24. Man, J. (2009). The Gutenberg revolution: How printing changed the course of history. London, UK: Bantam Books.
25. Merriam-Webster. (n.d.). Volvelle. In Merriam-Webster.com dictionary. Retrieved May 30, 2025, from https://www.merriam-webster.com/dictionary/volvelle
26. Pratt, A. T. (2020, August 20). Technology in paper: Interactive design in early printed books. Not Even Past. Retrieved from https://notevenpast.org/technology-in-paper-interactive-design-in-early-printed-books/
27. University of Manchester Library. (n.d.). Cosmographia Petri Apiani [Catalogue record]. Retrieved from https://www.librarysearch.manchester.ac.uk/permalink/44MAN_INST/1lr7mpn/alma9912947644401631
28. van Ostroy, F. G. (1902). Bibliographie de l'oeuvre de Pierre Apian. Besançon, France: Paul Jacquin.
29. Vanden-Broecke, S. (2000). The use of visual media in Renaissance cosmography: The cosmography of Peter Apian and Gemma Frisius. Paedagogica Historica: International Journal of the History of Education, 36(1), 130–150. https://doi.org/ [Crossref]
    [Google Scholar]