Troianalexandrina features articles on medieval European works on the matter of Antiquity (Trojan matter, Alexander the Great, Greek and Latin literatures and mythology) and, more generally, the survival of classical culture in the Middle Ages. Interdisciplinary contributions focusing on the study of images and iconographic tradition or exploring elements of medieval visual culture related to classical themes and motifs are also welcome.

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Viator offers a space for renewed attention to transcultural studies from Late Antiquity into Early Modernity, while continuing its long-standing tradition of publishing articles of distinction in the established fields of medieval and Renaissance studies. In keeping with its title, “traveler,” the journal gives special consideration to articles that cross frontiers, focus on meetings between cultures, pursue an idea through the centuries, or employ methods of different disciplines simultaneously, while remaining accessible to the non-specialist reader. Viator particularly welcomes articles that look beyond Western Eurasia and North Africa and considers the history, literature, art, and thought of the eras of early global interconnection from broader perspectives.

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